Gianandrea Noseda is one of the world’s most sought-after conductors, equally recognized for his artistry in both the concert hall and opera house. He is the National Symphony Orchestra’s seventh music director: in September 2018, his contract was extended for four more years, through the 2024–2025 season. He leads 12 weeks of subscription concerts with the Orchestra this season, as well as their first appearance together at Carnegie Hall in New York in May 2019 and Lincoln Center in November 2019.
In addition to his position with the NSO, Noseda also serves as Principal Guest Conductor of the London Symphony Orchestra and Israel Philharmonic Orchestra, Principal Conductor of the Orquestra de Cadaqués, and Artistic Director of the Stresa Festival in Italy. In July 2018, the Zurich Opera House appointed him the next General Music Director beginning in the 2021–2022 season. Nurturing the next generation of artists is important to Noseda, as evidenced by his ongoing work in masterclasses and tours with youth orchestras, including the European Union Youth Orchestra, and with his recent appointment as music director of the newly-created Tsinandali Festival and Pan-Caucasian Youth Orchestra in Georgia.
Noseda has conducted the most important orchestras and at leading opera houses and festivals including the Berlin Philharmonic, Chicago Symphony Orchestra, Cleveland Orchestra, La Scala, Munich Philharmonic, Met Orchestra, New York Philharmonic, NHK Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre de Paris, Orchestre National de France, Philadelphia Orchestra, Royal Opera House, Salzburg Festival, Vienna Philharmonic, Vienna Symphony and Zurich Opera House. From 2007 until 2018, Noseda served as Music Director of Italy’s Teatro Regio Torino where he ushered in a transformative era for the company matched with international acclaim for its productions, tours, recordings, and film projects. Gianandrea Noseda also has a cherished relationship with the Metropolitan Opera dating back to 2002: new productions of Les pêcheurs de perles, which premiered at the New Year’s Eve Gala in 2015 as well as his widely praised interpretation of Prince Igor from the 2013–2014 season are available on DVD.
The institutions where he has had significant roles include the BBC Philharmonic which he led from 2002–2011; the Pittsburgh Symphony Orchestra, where the Victor de Sabata Chair was created for him as principal guest conductor from 2010–2014; and the Mariinsky Theatre in St. Petersburg, which appointed him its first-ever foreign principal guest conductor in 1997, a position he held for a decade. He was Principal Guest Conductor of the Rotterdam Philharmonic from 1999 to 2003 and Principal Guest Conductor of the Orchestra Sinfonica Nazionale della RAI from 2003 to 2006.
Noseda’s intense recording activity counts more than 60 CDs, many of which have been celebrated by critics and received awards. His Musica Italiana project on Chandod, which he initiated more than ten years ago, has chronicled under-appreciated Italian repertoire of the 20th century and brought to light many masterpieces. Conducting the Vienna Philharmonic Orchestra and the Orchestra Teatro Regio Torino, he has also recorded opera albums with celebrated vocalists such as Rolando Villazon, Anna Netrebko and Diana Damrau.
A native of Milan, Noseda is Commendatore al Merito della Repubblica Italiana, marking his contribution to the artistic life of Italy, as well as Accademico of Santa Cecilia. In 2015, he was honored as Musical America’s Conductor of the Year, and was named the 2016 International Opera Awards Conductor of the Year. In December 2016 he was privileged to conduct the Nobel Prize Concert in Stockholm